Eurorack UB1622FX-PRO

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Behringer Eurorack UB1622FX-PRO

Ultra Low-Noise Design 16-Input 2/2-Bus Mic/Line Mixer with Premium IMP Mic Preamplifiers and 24-Bit Multi-FX Processor

You get all the important elements right here in a 19” form-factor. This compact console offers 12 balanced high-headroom line inputs, 4 INVISIBLE MIC PREAMPs (IMPs), 2 aux sends per channel (1 pre/post fader switchable for monitoring/FX applications and 1 post fader for internal FX or as external send). You also get an effective, extremely musical 3-band EQ with semi-parametric mid band plus switchable low-cut filter on all mono channels. The integrated 24-bit digital stereo FX processor with 99 great-sounding VIRTUALIZER presets includes reverb, delay, chorus, compressor, tube distortion and others as well as a 1 kHz test tone generator. There are 2 subgroups with separate outputs for added routing flexibility and 2 multi-functional stereo aux returns with flexible routing.

Eurorack UB1622FX-PRO Features

• Ultra low-noise ULN design, highest possible headroom, ultra-transparent audio
• 4 new state-of-the-art, studio-grade IMP “Invisible” Mic Preamps with:
- 130 dB dynamic range for 24-bit, 192 kHz sampling rate inputs
- Ultra-wide 60 dB gain range
- Lowest possible distortion 0.0007% (20 Hz - 20 kHz)
• Integrated 24-bit digital stereo FX processor with 99 great-sounding VIRTUALIZER presets including reverb, delay, chorus, compressor, tube distortion, vinylizer and more plus 1 kHz test tone generator
• Effective, extremely musical 3-band EQ with semi-parametric mid band plus switchable low-cut filter on all mono channels
• Inserts on each mono channel for flexible connection of outboard equipment
• 12 balanced high-headroom line inputs with +4/-10 level selection on stereo channels
• State-of-the-art 4580 operational amplifiers provide lowest noise and distortion—better than 4560 op amps
• 2 aux sends per channel: 1 pre/post fader switchable for monitoring/FX applications, 1 post fader (for internal FX or as external send)
• Peak LEDs, mute, main mix and subgroup routing switches, solo and PFL functions on all channels
• 2 subgroups with separate outputs for added routing flexibility
• 2 multi-functional stereo aux returns with flexible routing
• Main mix outputs with jack and gold-plated XLR connectors, separate control room, headphones and stereo tape outputs
• Control room/phones outputs with multi-input source matrix
• Tape inputs assignable to main mix or control room/phones outputs
• Switchable +48 V phantom power for condenser microphones
• Long-wearing 60 mm logarithmic-taper ALPS® faders and sealed rotary controls
• Internal switch-mode power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus lowest possible power consumption for energy saving
• Extremely rugged steel construction ensures long life even under the most demanding conditions
• Rack mount brackets included
• Conceived and designed by BEHRINGER Germany

Behringer Eurorack UB1622FX-PRO: Spec Sheet (Adobe PDF)

Behringer Eurorack UB1622FX-PRO: Preset List (Adobe PDF)

Behringer Eurorack UB1622FX-PRO: Block Diagram (Adobe PDF)

Behringer Eurorack UB1622FX-PRO: Warranty (Adobe PDF)

Behringer Eurorack UB1622FX-PRO: Brochure (Adobe PDF)

Behringer Eurorack UB1622FX-PRO: Manual (WinZip)

Behringer Eurorack UB1622FX-PRO: Press Release Sep-09-2003 (HTML)

Behringer Eurorack UB1622FX-PRO: Press Release Sep-08-2002 (HTML)

Invisible Mic Preamp (IMP)

Five years in the making, the Invisible Mic Preamp (IMP) is a superior mic preamp that delivers crystal-clear audio with incredible reproduction of the slightest nuances. It matches or exceeds the performance of outboard mic preamps. You get extreme bandwidth of 5 Hz to 100 kHz coupled to unusually neutral, noise- and distortion. The BEHRINGER IMP provides ultra-linear frequency response up to 100 kHz. The result of perfect design. Almost unmeasurable distortion for your signal integrity.

24 bit / 46 kHz

Digital recordings are often done at a depth of 16 bits, which breaks up the dynamic range between the loudest and quietest portions of a signal into 65,536 steps. We use the finer resolution of 24 bits, which divides the signals’ loudest-to-softest dynamic range into 16,777,216 steps, allowing for far more accurate rendering of the quieter parts of the audio.

Audio signals change constantly, so a digital device must capture these changes as faithfully as possible. The higher the sampling rate, the better. Our consoles use a sampling rate of 46,000 times per second. To capture any given frequency, a digital signal’s sampling rate must be roughly twice that frequency. The sampling rate of 46 kHz is more than adequate for capturing all signals in the audible range—the human ear can not hear the sounds whose frequency is higher than 20 kHz.

Ultra Low-Noise (ULN)

ULN stands for the Ultra low-noise design of our circuitry. It is based on extremely low-impedance components that keep thermal inherent noise and crosstalk at an absolute minimum. The result: your console is considerably less noisy and crosstalk between neighboring channels is virtually non-existent. The result of perfect design (above). Almost unmeasurable distortion for your signal integrity.

Switch-Mode Power Supply (SMPS)

Every console in the PRO series uses our state-of-the-art, over-sized, switch-mode power supply with lots of headroom. One of the great advantages is that (compared to conventional circuits) a switch-mode power supply adapts to mains voltages between 100 and 240 volts automatically. Furthermore, due to its much greater efficiency, it consumes much less energy than a conventional supply unit. Even more important is the fact that conventional transformers always induce 50 Hz hum (check it out on other mixers when you turn up all volume controls). Our switch-mode supply operates at very high frequency and therefore keeps the mixer "dead" quiet.

UB Series Mixing Consoles Overview

EURORACK	UB2442 FX-PRO	UB2222 FX-PRO	UB1832 FX-PRO	UB1622 FX-PRO	UB1222 FX-PRO	UB1204 FX-PRO	UB1204 -PRO	UB1202	UB1002	UB802	UB502
Channels	10 (8 + 2) mono + 4 stereo	8 mono + 4 stereo	6 mono + 4 stereo	4 mono + 4 stereo	4 mono + 4 stereo	4 mono + 2 stereo	4 mono + 2 stereo	4 mono + 4 stereo	2 mono + 4 stereo	2 mono + 2 stereo	1 mono+ 2 stereo
Mono mic/line channel inputs	8 (XLR + ¼" TRS)	8 (XLR + ¼" TRS)	6 (XLR + ¼" TRS)	4 (XLR + ¼" TRS)	4 (XLR + ¼" TRS)	4 (XLR + ¼" TRS)	4 (XLR + ¼" TRS)	4 (XLR + ¼" TRS)	2 (XLR + ¼" TRS)	2 (XLR + ¼" TRS)	1 (XLR + ¼" TRS)
Stereo line channel inputs	2 (¼" TRS) & 2 (XLR + ¼" TRS)	4 (¼" TRS)	4 (¼" TRS)	4 (¼" TRS)	2 (¼" TRS) & 2 (XLR + ¼" TRS)	2 (¼" TRS)	2 (¼" TRS)	4 (¼" TRS)	4 (¼" TRS)	2 (¼" TRS)	2 (¼" TRS)
Channel inserts (pre EQ, pre fader)	channels 1-8	channels 1-8	channels 1-6	channels 1-4	channels 1-4	-	-	-	-	-	-
EQ mono channels	3-band mid-sweep + low cut	3-band mid-sweep + low cut	3-band mid-sweep + low cut	3-band mid-sweep + low cut	3-band + low cut	3-band + low cut	3-band + low cut	3-band + low cut	3-band + low cut	3-band	2-band
EQ stereo channels	4-band	4-band	4-band	4-band	3-band	3-band	3-band	-	-	3-band	-
Phantom power (+48 V)											-
Aux sends	2 pre/post fader, 2 post fader	1 pre fader, 1 pre/post fader, 1 post fader	1 pre fader, 1 pre/post fader, 1 post fader	1 pre/post fader, 1 post fader	1 pre fader, 1 post fader	1 pre/post fader, 1 post fader	1 pre fader, 1 post fader	1 post fader	1 post fader	1 post fader	-
Stereo aux returns	return 1/2 to aux send 1/2/main mix	return 1/2 to aux send 1/main mix	return 1 to main mix	return 1 to aux send 1/main mix	return 1 to main mix	return 1 to aux send 1/main mix	return 1 to aux send 1/main mix	-	-	return 1 to main mix	-
	return 3 to sub 1-2/ 3-4/main mix	return 3 to sub 1-2/ main mix	return 2 with own fader and flexible routing	return 2 to sub 1-2/ main mix	return 2 to main mix	return 2 to alt 3-4/ main mix	return 2 to alt 3-4/ main mix
	return 4 to ctrl room & phones/main mix
Subgroups with dedicated TRS con.	4	2	2	2	-	2	2	-	-	-	-
Main outputs	XLR & ¼" TRS connectors	XLR & ¼" TRS connectors	XLR & ¼" TRS connectors	XLR & ¼" TRS connectors	XLR connectors	XLR connectors	XLR connectors	¼" TRS connectors	¼" TRS connectors	¼" TRS connectors	¼" TRS connectors
Headphones output (¼" TRS connector)	2
2-Track I/O (RCA connectors)
Ctrl room outputs (¼" TRS connector)					-						-
PFL/solo section					-		-	-	-	-	-
FX unit (with footswitch connector)	with separate FX output	with separate FX output					-	-	-	-	-
Switch-mode PSU								-	-	-	-
Rack-mounting kit included								-	-	-	-
Width*	16 1/2" (418 mm)	16 1/16" (408 mm)	16 1/16" (408 mm)	11 7/8" (301 mm)	13 18/32" (345 mm)	9 11/16" (247 mm)	9 11/16" (247 mm)	9 1/2" (242 mm)	7 2/5" (189 mm)	7 2/5" (189 mm)	5 1/4" (134 mm)
Depth*	17 1/4" (438 mm)	14 1/16" (367 mm)	14 1/16" (367 mm)	13 7/8" (351 mm)	13 5/32" (334 mm)	13 5/32" (334 mm)	13 5/32" (334 mm)	8 2/3" (220 mm)	8 2/3" (220 mm)	8 2/3" (220 mm)	7" (177 mm)
Height front*	2 3/4" (68 mm)	3" (75 mm)	3" (76 mm)	3" (76 mm)	3 7/8" (97 mm)	3 1/16" (78 mm)	3 1/16" (78 mm)	1 1/2" (37 mm)	1 1/2" (37 mm)	1 1/2" (37 mm)	1 1/2" (37 mm)
Height rear*	5 1/2" (140 mm)	5" (128 mm)	5" (128 mm)	5" (128 mm)	3" (75 mm)	5" (128 mm)	5" (128 mm)	1 3/4" (48 mm)	1 3/4" (48 mm)	1 3/4" (48 mm)	1 3/4" (48 mm)
Weight*	13 lbs (5.9 kg)	10 5/8 lbs (4.8 kg)	10 3/8 lbs (4.7 kg)	7 1/4 lbs (3.3 kg)	3 3/8 lbs (3.8 kg)	5 3/4 lbs (2.6 kg)	5 5/8 lbs (2.56 kg)	3 lbs (1.35 kg)	2 3/8 lbs (1.05 kg)	2 1/5 lbs (1 kg)	1 1/5 lbs (0.55 kg)
Special features * Approx.	FX unit; mic inputs on stereo ch. 9/10 & 11/12; Direct outs (ch. 1-8, post fader); main inserts; BNC con. for gooseneck lamps	FX unit	FX unit; XPQ 3D surround function; 9-band stereo graphic EQ	FX unit	FX unit; XPQ 3D surround function; 7-band stereo graphic EQ with FBQ Feedback Detection System; Voice Canceller	FX unit	-	-	-	-	-

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